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1.
Water 03:11
Moses struck the rock He struck the rock with his staff And he drew water. Wade in the water Wade in the water, children Wade in the water God's gonna trouble the water. Miracle upon miracles, Amen, selah! Who's that child dressed in white? God's gonna trouble the water. It must be the children of the Israelite God's gonna trouble the water. And Moses brought a kid And made him taste honey from the rock And his voice became like a brook As clear and as pure as water. Wade in the water Wade in the water, children Wade in the water God's gonna trouble the water—Selah! Who's that child dressed in red? God's gonna trouble the water—Selah! Must be the children that Moses led! God's gonna trouble the water. Miracle upon miracles, Amen, selah!
2.
Train 05:38
When the train comes along, Lord Gonna meet you at the station When the train comes along. A railroad train—a new one—has become Time, Which carries passengers, both poor and rich. Run, see this wonder—but all this in your mind Because this is a parable regarding you. We sit in the train cars— The locomotive is Time. It carries millions of people, And it runs as if on coal, struggling… When the train comes along etc.. Each train is a second Each station is a generation Each platform is an hour Each train is a year. The ticket that you hold in your wallet— This is your fate, your itinerary,
Your destination, and in which class. This is determined by God, the train director. When the train comes along etc.. At the train stations, they ring a little bell. The conductors jump off. The passengers run, each one with his luggage. Many come on and many get off. And if they tell you to get off, don’t negotiate. Even though you are not a very old man. Your ticket has expired, and you cry, for nothing. So has decided God, the train director. When the train comes along etc..
3.
Horses 07:04
Hayda liu-liu, little one Hayda liu-linku Hayda liu-liu, beautiful one Hayda liu-linku. When you wake, you shall have All the pretty little horses Paints and bays, Dapples and greys All the pretty little horses. Hayda liu-liu, little one Hayda liu-linku Hush-a-bye, don't you cry Go to sleep, my little baby. The father’s in the forest, my child He’ll bring you a little bird A little bird, my child Hayda liu-liu, little one Hayda liu-linku Hush-a-bye, don't you cry Go to sleep, my little baby. Way down yonder in the meadow There's a poor little lambie Butterflies round his eyes Poor thing's crying for his mammy. The father’s in the field, my child He’ll bring you a little flower A little flower, my child Hayda liu-liu, little one Hayda liu-linku Hush-a-bye, don't you cry Go to sleep, my little baby.
4.
Lift 04:24
Lift ev'ry voice and sing, till earth and heaven ring Ring with the harmony of liberty. Let our rejoicing rise high as the listening skies Let it resound, loud as the rolling sea. Sing a song full of the faith that the dark past has taught us Sing a song full of the hope that the present has brought us. Believe! Believe that night will vanish And the clouds will drift away— And—blue! Once again the skies will be blue With new stars and new suns And there will be new roses And new flowers And Spring will bring new fragrance— And brilliant colors and song Will rise above our graves! Facing the rising sun of our new day begun Let us march on till victory is won.
5.
Stranger 04:01
What is the meaning of the rain? What does it teach me? Down the windowpane The drops roll down like dismal tears. I’m just a poor wayfaring stranger A-traveling through this world of woe But there's no sickness, toil or danger In that bright land to which I go. What is the meaning of my life? What does it teach me? To decay, to wither in its youth, To grow old before its time. To “eat days” and swallow tears, To sleep upon my hard fist… I’m just a poor wayfaring stranger A-traveling through this world of woe But there's no sickness, toil or danger In that bright world to which I go. To die here in this world, Waiting for The World to Come...
6.
Rosie 02:40
Be my woman, girl, I’ll be your man Ev’ry Sunday dollar in your hand. Keep your promise, girl, that you made me Won’t got married till I go free.
7.
Open 02:31
I open my mouth unto the Lord, and I won’t turn back I will go, I shall go, to see what the end is going to be.
8.
Adapted from “Rockin’ in Jerusalem”, African American spiritual and “Av HaRachamim” from the Torah Service by A. Dunajewski

about

Drawing from a diverse collection of folk songs, anthems, lullabies, art and religious music, Anthony Russell and Veretski Pass mobilize an array of historic genres in their creation of a multi-diasporic sound: early blues, Hungarian and Bessarabian klezmer, “old time” fiddle, synagogue tunes, contemporary classical and—in a special guest appearance by seven-time Grammy-nominated Latin percussionist John Santos—Cuban guaguancò.

"I’ve been listening to Anthony Russell's Convergence on repeat since it came out... The songs work because they trace parallels without erasing differences. And in doing so, they conjure the possibility of historic overlaps, interactions and intersections, unrecorded or unrealized, accessible only in speculation." Josh Parshall, myjewishlearning.com

credits

released August 10, 2018

Anthony Mordechai Tzvi Russell // Voice
Veretski Pass:
Cookie Segelstein // Fiddle
Joshua Horowitz // piano, button accordion, tsimbl
Stuart Brotman // cello
John Santos ("Zion") // latin percussion

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Anthony Mordechai Tzvi Russell Atlanta, Georgia

Ten years after making his professional debut in the world premiere of Philip Glass's opera Appomattox, Anthony Russell is now a vocalist, composer and arranger specializing in Yiddish art and folk song.

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